Francisca Morand and Javier Jaimovich

How do we identify moments when the interactive dialogue between movement and sound in our work is innovative for both of us, and for both of our disciplines? How does “time” unfold for each collaborator at moments when the modes of production are separated within the same collaborative process? What are the new words that have emerged during our processes of collaboration? How are the body gestures that appear when we need to explain to the other something that is very characteristic of each person’s discipline? What are the words that come up the most? Do you think that you have ever used metaphor as a device of encounter between movement, sound, and technology?

Francisca Morand and Javier Jaimovich, Universidad de Chile

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