Collaborative Practices between Architecture and Movement
As a collaborative duo, we will be writing this article from the ‘first stage’ perspective. Our practices are design (architectural spaces) and choreography (movement of negative space and positive space). The roots of our collaborative work lie in the interactive art form of communicating emotions. We insist that the harmony of our collaboration is because of our non-ego based approach of progressive growth towards our creative process. Our approach to any challenge is to put it on the table, discuss it openly, and speak only in alignment to the solution. Some may argue that this is not a realistic and practical approach however, our experience informs us differently. Furthermore, our collaborative work is based on bridging the experience of our expertise to conceptualize new work. An important question we asked from the beginning and will continue to revisit throughout the process is how the collaboration is necessary. Overall, this collaboration has elevated both our practices in achieving the visions we have in future projects both together and individually. We continue to inform one another through our individual practices to enhance our collaborative works. Twyla Tharp once said,
“Don’t sing on for more problems than you must. Resist the temptation to involve yourself in other people’s zones of expertise and responsibility. Monitor troublesome situations if you want to, but don’t insert yourself unless you’re running out of time and a solution is nowhere in sight. In short, stifle your inner control freak.” (The collaborative Habit: Life Lessons for Working Together (2009).
Giselle Liu and Mansi Patelback to all PROVOCATIONS